For this example, we’ll be using the FabFilter Pro Q 3, but use any EQ plugin you like, so long as it can separate the stereo signal in Mid and Side channels. Step 1: Insert your mid-side capable equalizer as the first plugin in your signal chain.
Let’s look at this in greater detail to better understand it.Īgain, this processing is happening first – before any other forms of processing that could potentially amplify sibilance frequencies. By doing so you’ll be cutting out some of the sibilance in addition to masking sibilance based frequencies. If you need to perform de-essing during mastering, a great option is to use a mid-side equalizer to attenuate the mid-channel and accentuate or amplify the side-channel. De-Essing During Mastering with Mid-Side Equalization As stated here, keep in mind that this processing occurs before other forms of processing.
Let’s look at the different techniques you can use to remedy sibilance in your master.
De-essing during mastering should occur at the beginning of your signal chain.
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